I CAN HEAR YOU
A storytelling project on social justice, equality, and the voice of my community...
Unbloomed Roses (2022)
Even though I have not been actively involved in the feminist movement, the unfortunate stories of gender discrimination around me always evoke my profound reflections and deep thoughts. In human society, many seem to need to build their sense of value on comparison and discrimination. This need, arising from individual psychology, escalates to a societal level. This abnormal sense of security and achievement erroneously elevates people to a vantage point, allowing them to enjoy power and weapons they should not possess. Discrimination against women has been present in the past, remains in the present, and perhaps will continue into the future. I sincerely hope that one day, we can select our careers based on personal abilities and interests rather than being constrained by social gender biases. This photograph tells a true experience of my friend from forty years ago. Although she received higher education in mathematics at a well-known Canadian university, social pressures at that period led her to abandon her passion and instead pursue a career in cooking.
Fall in love with someone who lives six thousand miles away (2022)
The global COVID pandemic, which began in 2020, has profoundly altered every facet of our lives. In-person events transitioned to virtual platforms, compelling us to pause and reassess our connections as long-distance relationships grew increasingly challenging. This new reality has prompted me to examine the nature of human relationships in a world devoid of physical touch, where communication hinges on technology.
I am a Chinese international student studying in Canada. It was a challenge during that time. I took this photograph at a train station, where I discovered a piece of broken glass displaying web-like patterns that evoked the interconnectedness of the internet. The bottom left corner showcases a dashed line, conjuring images of a treasure map. I framed myself within the composition, standing in a column that represents the tension between the dynamic motion of trains, the thrill of embarking on a treasure map journey, and the restrictive sensation of being caged.
As we navigate this era dominated by digital communication, each individual grapples with their unique emotional reactions to this transformation. This photograph seeks to delve into the intricacies of human connection and shed light on the challenges we face in maintaining relationships in a primarily virtual world.
Distance in thought (2022)
I capture a solitary hydraulic engineer absorbed in thought, overlooking a scene that mirrors his own distant familial connections. We are explorers of nature, but we are normal humans. Separated by provinces for the sake of research, my colleague's gaze is drawn to a simple yet emotionally charged sight—a parent playing with a child by the water's edge. This scene is a poignant reminder of the personal sacrifices inherent in the pursuit of the unknown: the progress of one's work weighed against the absence from one’s family.
Reference photograph: Francis Crick and James Watson (1953) taken by Antony Barrington Brown.
Models: Violeta López Márquez (left), Zorimar Vilella Pacheco (right)
Reference photograph: physicist Marie Sklodowska Curie works in her laboratory at the University of Paris in France.
Model: Hania Siwek
Her Legacy (2023)
I endeavour to recast the narrative of history, with a particular focus on the undulating journey of women in science. Through the media of photography, my work seeks to refract the past through a contemporary prism where women emerge not as silent vignettes, but as vibrant, central figures shaping the tableau of time.
Each image is a palimpsest; using historical photographs as the canvas, I reimagine the scenes, meticulously infusing them with the presence and power of women. These photographs do not merely capture moments; they are a rebellion against the forgotten or the never-known, an assertion of presence in spaces where women were once invisible or overlooked.